![]() ![]() Pohjonen, before the quintet sweeps on to a happy end.ĭespite the overwhelming pleasantness of the music - and the very appealing playing of all involved - I was not deriving any emotional rewards from the evening so far. Beethoven finds a place for a piano cadenza, lovingly played by Mr. The concluding Rondo gathers speed as its theme is progressively embellished by the various players. The delicate theme introduced by the piano returns after each player has had his say, creating the feeling of a conversation among friends. The Andante cantabile gives each instrumental voice golden opportunities to sing, both in solos and as members of the ensemble. Manz's clarinet sounds especially dulcet, and Mr. The exceptional beauty and clarity that each player brings to his part makes for gratifying musical experience. Pohjonen's mastery of dynamics brilliantly evident. Then the piano asserts itself in a solo passage, with Mr. The work's slow introduction, marked Grave, commences with fanfare-like motifs with the winds playing in unison. Souza, Manz, Goldberg, and Byrd-Marrow joined by Mr. Each movement felt a bit longer than necessary, and in the end it all seemed pleasantly decorative but inconsequential.įrom Beethoven, we heard the Quintet in E-flat major for Oboe, Clarinet, Bassoon, Horn, and Piano, Op. The following Minuetto & Trio features a pulsing beat and lovely passages for Ms. Manz's handsome-toned clarinet, and later has a theme and variations feeling. The Andante poco Allegretto introduces a Spring song for Mr. Commencing with a descending unison passage, the individual voices are then introduced, and the music rolls along thru four movements. This work was composed in 1811-1817, and it brings forth wonderful blendings of timbres and interesting rhythmic variety but it seldom if ever touches the heart. The musicians were Tara Helen O'Connor (flute), Hugo Souza (oboe), Sebastian Manz (clarinet), Marc Goldberg (bassoon), and David Byrd-Marrow (horn). This evening, Reicha's Quintet in E-minor, Op. Reicha moved to Paris in 1808, became a naturalized citizen of France in 1829, and died in Paris on May 28th, 1836. As a composer, he made a substantial contribution to the catalog of works for wind quintet. As a teacher, his pupils included, Franz Liszt and Hector Berlioz. Musically, the program's second half was infinitely more appealing to me than the first half.Ĭomposer Anton Reicha was born in Prague on February 26th, 1770. The playing all evening was impeccable, and highly enjoyable. Wednesday July 13th, 2022 - The third and final concert of Chamber Music Society of Lincoln Center's summer series brought together the eminent Finnish pianist Juho Pohjonen and an ensemble of the Society's top-notch wind players.
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